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| What is a true "G" chord? | |
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| Topic Started: Nov 17 2008, 11:47 PM (642 Views) | |
| Artheus | Nov 21 2008, 07:41 PM Post #16 |
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Variation of meaning in accordance with geographical region The referent of the musical note B varies by location. In the United States, Canada, the United Kingdom and the Republic of Ireland B usually refers to the note a semitone below C, while B flat refers to the note a whole tone below C. And you mother likes to make cherry pie while licking orange popsicles. In most of continental Europe B is used to mean what above is called B flat and H is used to mean what above is called B. This makes possible certain spellings which are otherwise impossible, such as the BACH motif. And so everything I have written is correct and not only that, this reveals that in fact it is better to use H rather than B. |
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Ibanez RG 1570 Line 6 Spider II 212 Marshall JCM 25/50 2554 (1987) ARS LONGA, VITA BREVIS | |
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| voodoorider | Nov 21 2008, 08:14 PM Post #17 |
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Garry
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Dude, the BACH motif was not officially a music theory and is THE only example of a note H being applied to a series of notes ( instead of the theoretically correct B ) which is associated with classical composition i.e it is a homage to Bach by other composers.. in other words.. the notes B A C B don't spell Bach.. so they made it say B A C H to pay tribute to him. you go and use the enharmonic spelling of H in a guitar exam and they will mark it incorrect, it's not better to name a note H instead of B.. because no one knows what the hell you are talking about because 99.9% of people use B, because that's what it is!! H is not a note.. it's a convenient clever play on another note for classical composers fun. H is not a note.. it's a convenient clever play on another note for classical composers fun. H is not a note.. it's a convenient clever play on another note for classical composers fun. *bangs head against wall* Edited by voodoorider, Nov 21 2008, 08:18 PM.
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Guitars: PRS CU 22 R/W neck | Organic Classic | Heritage H-150 | Fender Eric Clapton Strat | Fender Deluxe Ash strat, scalloped | 2001 USA std Telecaster | 2008 USA std Telecaster | 1996 Gibson Les Paul standard | PRS Santana SE | Maverick X1 | Epiphone SG | Freshman FA400J Amps: Orange Rockerverb 50 | Mesa Boogie Electradyne | Traynor YCV40T | VOX AD60VT | Fender Pro 185 | Zoom Fire 15 | |
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| Artheus | Nov 21 2008, 09:57 PM Post #18 |
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H is a note... It's like... just because we use the left side of the road, it doesn't mean that driving on the right is wrong. IN FACT that's the common way. Same with notes. I'm not saying 'abandon B and use H...' I just mean, BE AWARE and don't be ingorant. In such notation You get H and then B (which we call B sharp) Edited by Artheus, Nov 21 2008, 09:58 PM.
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Ibanez RG 1570 Line 6 Spider II 212 Marshall JCM 25/50 2554 (1987) ARS LONGA, VITA BREVIS | |
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| voodoorider | Nov 21 2008, 11:39 PM Post #19 |
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Garry
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You're hard work, at the end of the day, you made a simple answer complete rubbish. That's the end of my input on this subject, its been fun. Stick to helping people with things you know enough about to actually help them, rather than trying to be smart for your own self indulgence. |
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Guitars: PRS CU 22 R/W neck | Organic Classic | Heritage H-150 | Fender Eric Clapton Strat | Fender Deluxe Ash strat, scalloped | 2001 USA std Telecaster | 2008 USA std Telecaster | 1996 Gibson Les Paul standard | PRS Santana SE | Maverick X1 | Epiphone SG | Freshman FA400J Amps: Orange Rockerverb 50 | Mesa Boogie Electradyne | Traynor YCV40T | VOX AD60VT | Fender Pro 185 | Zoom Fire 15 | |
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| Artheus | Nov 22 2008, 01:03 AM Post #20 |
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An offence comin' from a fool is a compliment. |
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Ibanez RG 1570 Line 6 Spider II 212 Marshall JCM 25/50 2554 (1987) ARS LONGA, VITA BREVIS | |
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| monwobobbo | Nov 22 2008, 02:03 AM Post #21 |
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ok enough, for future reference please stick to the regular A B C D E F G with flats and sharps as needed just so we are all on the same page. |
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| Artheus | Nov 22 2008, 12:44 PM Post #22 |
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Will do. |
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Ibanez RG 1570 Line 6 Spider II 212 Marshall JCM 25/50 2554 (1987) ARS LONGA, VITA BREVIS | |
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